PrairiePhotograph by Elizabeth Cecil
Horizontal lines are commonplace on the Island…the sand meets the ocean, the ocean meets the sky. I was taking pictures and pulled into Eastville Beach. Right away I noticed these barren branches sort of breaking up the view. This scene had that same evenness that I was so accustomed to but was then interrupted by these layered elements, a barrier of sorts. In this particular series of work, I was really seeking that sense of space and openness which can sometimes be difficult to find living on an island. In one sense, this image represents the feeling of vastness that being surrounded by the ocean can bring while at the same time recognizing the boundaries that it can create.
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SquibnocketPainting by Allen Whiting
The music I interpreted [from stop 2] sounded like a shy introduction. Listening to it, I felt like I was on a five-note ride descending down a gentle right-hand curve. The music was like an outstretched hand. I kept thinking about the north shore of my home. It too curves away to the right, at least where the points of land meet the sea. The line in the painting that guides the eye through the painting is my translation of the right-hand curving melody line.
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LifeDance by Patrick Corbin
The first word that came to me from the song I interpreted [from stop 2] was LIFE. I imagined life from beginning to end and back to beginning. I immediately had an image of hands developing through the cycle of life including all different races. Listening to the music, emotionally I felt complete. I was at first contemplative then melancholic and then serene. The most beautiful pair of hands for me were the ones beginning & closing the video. They belong to a man named Burt who Ed (Filmmaker) and I met at “The Sage Room” (the gay & lesbian community center in the West Village). Burt was very reluctant to participate in the dance but Ed opened him up and made him feel loved and safe and said “Of course you want to be a part of this.” For me, Burt’s hands captured the beauty of the life cycle in my image.
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Stop 5Poem by Honor Moore
This Dance I interpreted [from stop 4] elicited a tenderness in me. It was about caregiving and nurturance. About spirituality, playfulness, and fundamentally about relationships, but not in an inaccessible romanticized way. In a raw, real way, warts and all. It reminded me of dragonflies. In their quest for perpetuity, they have found a way to court and mate in the air. With amazing elegance, they complement each other’s movements. Within seconds the piece in my head was done. The building of this has taken me longer than anything else I have ever built.

