LagoonPhotograph by Alison Shaw
I am struck most by the color pallet in this photo I took in the early morning light. the warms and the cools juxtapose against each other so as to embrace each other. I also love the serenity of this image, the flat calm, and the perfect glass-like perfection of the reflection. I didn’t see it at the time I took it, but people are always pointing it out to me, that the boat’s reflection has all this warm light in it that you don’t see in the actual boat. The sun is just 5 minutes above the horizon. It is only just beginning to wake up the day. Quietly its rays have managed to sneak into the frame of this photo and spill all this warm light into the water. This photo sums up morning and the meaning of calm for me.
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Flat Water MorningSong by Jimmy Buffet
I was in Hawaii, just back from surfing, when I got this photo [from stop 1] to interpret in my inbox. I’d just bought my first ukulele and needed an excuse to practice it. The photo summed up a safe harbor & tranquility and with this sensation, I steered my way into this song. When I got home to Sag Harbor I put the photo up on a big screen in my studio. I practiced the song until I could record it in one take, start to finish.
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Wake Up and DownDance by Elizabeth Parkinson
The music I interpreted [from stop 2] felt, peaceful and quiet, simple and distilled. Like the beginning of a day, the first steps you take to get out of bed. It made me think of walking and moving through sand, early in the morning. Fresh air, warm coffee. Happiness. Simple times. Listening to the music I felt calm and peaceful and carefree but motivated. I wanted to improvise a dance rather than create a concise set of steps, so I decided to create a vocabulary of steps for myself that I would use without putting them in a structured order. My immediate vision from the first listen was that my dance would start with feet.
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EmpathySculpture by Jon Koehler
Without going back to watch the dance [from stop 3], I remember the various types of movement starting with the feet and moving into a full-body dance. I remember the spiral movements that started in the legs and carried through the whole body, out the arms. I remember longing to know the music inside the dancer’s mind and musing at how gracefully she moved, empathically translating the sound. The dance evoked a calm regarding the world and my surroundings. I felt empathy for the emotions of the world, especially as I watched the video with no audio. I felt that the needs of the world were implied in the dance itself. My sculpture started with a flat shape that flared at each end and was skinny in the middle. I felt that the raw material had a dance quality to it before I even started. I polished one side and textured the other side. My translation was about the dancer’s movements and taking that movement with me as I twisted and formed the metal, letting the art speak to me as it was coming to life.
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August 31stPoem by Lisa Sornberger
If I had to choose one word to sum up this sculpture [from stop 4] it would be “Voyage.”